{"id":216,"date":"2024-03-11T17:42:13","date_gmt":"2024-03-11T16:42:13","guid":{"rendered":"https:\/\/pascaleract.fr\/?page_id=216"},"modified":"2025-11-13T16:15:18","modified_gmt":"2025-11-13T15:15:18","slug":"au-fil-de-leau","status":"publish","type":"page","link":"https:\/\/pascaleract.fr\/?page_id=216","title":{"rendered":"Au fil de l\u2019eau – Flux"},"content":{"rendered":"\n

2020-2021 \u2013 Sculptures en taille directe sur bois de c\u00e8dre alt\u00e9r\u00e9 et m\u00e9tal assembl\u00e9s<\/strong><\/p>\n\n\n\n

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Extrait du texte de Louis Doucet, Critique d\u2019art et commissaire d\u2019exposition, sept 2025<\/p>\n\n\n\n

Lors de ma visite d\u2019atelier, j\u2019avais aussi remarqu\u00e9 une autre s\u00e9rie de pi\u00e8ces en bois,<\/em> de petites dimensions, celles-ci, non pas suspendues mais pos\u00e9es sur des socles de<\/em> fortune ou au sol : la s\u00e9rie des six sculptures en taille directe et assemblage Au fil de<\/em> l\u2019eau, 2020-2021. Leur mati\u00e8re premi\u00e8re provient d\u2019un ensemble de poutres en c\u00e8dre,<\/em> r\u00e9cup\u00e9r\u00e9es sur un parking o\u00f9 elles \u00e9taient expos\u00e9es aux intemp\u00e9ries, \u00e0 la pluie, surtout. Leur c\u0153ur commen\u00e7ait \u00e0 subir un processus de d\u00e9sint\u00e9gration, de pourrissement. Quand l\u2019artiste les trancha, elles r\u00e9v\u00e9l\u00e8rent des motifs semblables \u00e0 ceux des<\/em> fossiles, mais infiniment plus fragiles et friables, l\u00e9preux\u2026 Dans Cascade, la poutre<\/em> montre ses entrailles en d\u00e9composition, qui d\u00e9goulinent en un flot de menus fragments rendus solidaires par de petits fils de cuivre. Dans les Vagues ou dans Ruissellement, la structure fragilis\u00e9e est contenue par des plaques de zinc grav\u00e9es \u00e0 l\u2019eau-forte,<\/em> lesquelles jouent le r\u00f4le de proth\u00e8ses ou d\u2019at\u00e8les consolidant des membres d\u00e9faillants.<\/em>
Dans ces \u0153uvres, les paysages int\u00e9rieurs de la mati\u00e8re, entrent en r\u00e9sonance avec<\/em> ceux de l\u2019artiste qui les met en \u00e9vidence, les manifeste9. Le regardeur ne peut s\u2019emp\u00eacher d\u2019\u00e9tablir une correspondance entre cette substance malade et ses propres<\/em> membres, son corps, son esprit, eux aussi victimes des al\u00e9as du temps qu\u2019il fait et du<\/em> temps qui passe10\u2026 Ici, les propositions de Pascale Ract se comportent comme des<\/em> miroirs r\u00e9fl\u00e9chissant notre condition humaine\u2026 ou nous for\u00e7ant \u00e0 y r\u00e9fl\u00e9chir\u2026 Les<\/em> deux sens du mot r\u00e9flexion\u2026<\/em><\/p>\n\n\n\n

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Lire le texte int\u00e9gral<\/a><\/p>\n\n\n\n

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Installation “coquille au fil de l’eau” – Galerie Noir & Blanc Bastia mai 24<\/figcaption><\/figure>\n\n\n\n
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Mais l’histoire ne s’arr\u00eate pas l\u00e0… En 2025 nait une nouvelle s\u00e9rie REFLUX<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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2020-2021 \u2013 Sculptures en taille directe sur bois de c\u00e8dre alt\u00e9r\u00e9 et m\u00e9tal assembl\u00e9s Extrait du texte de Louis Doucet, Critique d\u2019art et commissaire d\u2019exposition, sept 2025 Lors de ma visite d\u2019atelier, j\u2019avais aussi remarqu\u00e9 une autre s\u00e9rie de pi\u00e8ces en bois, de petites dimensions, celles-ci, non pas suspendues mais pos\u00e9es sur des socles de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-216","page","type-page","status-publish","hentry"],"yoast_head":"\nAu fil de l\u2019eau - Flux - Pascale Ract<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pascaleract.fr\/?page_id=216\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Au fil de l\u2019eau - 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